iMancy is intended as an iMedia-driven occult system, a fusion of cybernetic sorcery and reality hacking that treats glitch, distortion, and subliminal transmission as tools of enchantment. It weaponizes perception, using the remnant artifacts of digital decay—from magnetic audiotape ghost warble to VHS warping, a confluence of broken signals, and bark archaic neon—thee loglo.

It’s a modern mythos-making foundation wrapped in the aesthetics of lost transmissions and pirated, xeroxed signals, where consensual reality isn’t a fixed construct but now includes mixed reality, augmented reality, virtual realities all overlayed as an interactive, reprogrammable field. Drawing from chaos magick, ghostly media theories, and the warped lollapaloozical circusitry of post-neopsychedeliacacyberdelia quasiculture, iMancy reclaims occulted pathways of postmodernist praxis, remixing the static of 2000 years of empire into new workflows for the augmented wizard.

At its core, iMancy is both anti-weapon and a playground—a toolkit for those who refuse to be passive bystanders of modern myth, choosing instead to hijack and transmit on new frequencies of existence.